Checklists · Documentation
Site Diary Preparation Checklist
Helps an owner design and maintain a plain dated diary of a project, choosing what each entry records, keeping it factual and marking clearly where an entry rests on what somebody else said.
7 sections · 42 planning prompts · educational owner-side preparation
https://www.builddesignhub.com/checklists/project-documentation-and-changes/site-diary-preparation · Build Design Hub — educational planning resource. Requirements vary by project and location.
Scope
What this checklist covers
The preparation ground these prompts walk through.
- Deciding what an owner diary is for alongside the records other parties already keep
- Designing an entry short enough that it gets written rather than intended
- Recording visible activity, which area was in use and what interrupted it on a given date
- Capturing the short conversations and requests for decisions that nobody else writes up
- Marking entries that rest on what you were told rather than what you saw
- Using the diary afterwards without asking more of it than it can support
Audience
Who this checklist is for
- Owners living in or visiting the property who see a great deal and record none of it
- People who started a diary enthusiastically and stopped once the work became busy
- Owners away from the property relying on accounts from others about what happened
- Anyone who has been asked when something occurred and had no way of establishing it
Timing
When to use it
- Setting up a diary format before the work starts rather than partway through
- Keeping short factual entries that can be written without disrupting your own routine
- Recording interruptions, conditions and access problems as they happen
- Capturing what you were asked for and when you provided it
- Preparing questions from a pattern you have noticed across several entries
Limits
When it is not sufficient
This is general planning preparation. These situations need a qualified professional, and often the relevant authority.
- Establishing whether work was carried out correctly or to any particular standard
- Recording accusations about individuals, which has no place in an owner diary
- Standing in for the daily records the contractor and appointed professionals maintain for their own purposes
- Determining responsibility for anything, which is a matter for your own legal adviser
- Deciding whether progress is acceptable, which belongs with the appointed professionals
The checklist
Work through the sections
Tick the boxes on paper or on screen — nothing is stored, so print the page if you want to keep your marks.
1.Deciding what your diary is for alongside everybody else records
Other parties are already recording the project in their own way. Your diary is worth keeping for what only you see, not for duplicating theirs.
Ask the contractor and appointed professionals what records they keep of the work, and note what those cover so your own diary fills gaps rather than repeating them.
Duplicating a record somebody else keeps properly is effort spent on the part of the picture you are least well placed to see.
Records kept by other parties belong to them; ask what is kept and what may be shared rather than assuming you will have access later.
Decide what only you are placed to record, such as what happens outside working times, what neighbours mention and what you are told in passing.
These are the observations nobody else is capturing, and they are the ones that turn out to be unrecoverable.
Decide from the start that the diary records events rather than builds a case, and keep judgements about people and blame out of every entry.
A diary written as ammunition reads that way to anybody who sees it, and it undermines the entries that are simply factual.
If you are considering how a record might be used in a dispute, take that question to your own legal adviser before changing how you write it.
Choose one place for the diary and keep it there, rather than writing entries into whichever notebook, phone note or message thread is nearest at the time.
Diaries split across several places lose their sequence, which is the only thing that makes a diary worth having.
Decide whether anybody else in the household adds entries, and if so, agree that each entry says who wrote it so the accounts do not blur together.
Two people writing without attribution produce a record where nobody can say who saw what, which weakens all of it.
Accept that a short entry written on the date beats a full account written later, and set the standard low enough that you keep to it when the work is busy.
Almost every abandoned owner diary was abandoned because the writer set out to record too much.
2.Designing an entry short enough that you will write it
The format decides whether the diary survives the busy stretch. A few fixed prompts do more than a blank page.
Use the same short set of prompts in every entry, such as what was happening, what stopped, what was said to you and what you owe somebody.
Fixed prompts remove the decision about what to write, which is what actually stops people writing anything.
Date each entry when you write it, and where you are catching up, say plainly that the entry was written later than the events it describes.
A record that quietly presents a reconstruction as a contemporaneous note is worse than one with an honest gap in it.
Leave a prompt blank when you do not know the answer instead of filling it with a reasonable assumption about what was probably happening.
Assumptions in a diary become facts on rereading, and there is no way to tell afterwards which entries were guessed.
Note against each entry that photographs were taken and where they are stored, rather than leaving images and words in two unconnected records.
Pictures and notes are far more useful together, and reconnecting them afterwards is tedious enough that nobody does it.
Mark any entry containing something you need an answer to, so the diary also works as your list of open questions without a second record.
Questions noted in passing get lost among the narrative, and a simple mark makes them findable later.
Where nothing appeared to be happening, record that as an entry with what you observed, rather than skipping the date entirely.
Gaps in a diary are ambiguous, while a note that the property was quiet is a positive observation with a date on it.
3.Recording what was happening and where in the property
You do not need to understand the work to record it usefully. Which trades, which room and what was visible is enough for almost every later question.
Note which trades appeared to be present and roughly how busy the property was, without attempting to record names or count individuals.
The pattern of who attends is what becomes interesting over time, and it needs no judgement about anybody to record.
Record which part of the property was being worked in, using the room names from the drawings so entries can be matched to other records.
Location is the field most often left out and the one that makes an entry findable when you are searching for something specific.
Write down what looks different from when you last looked, in plain terms, rather than trying to describe the operation being carried out.
Visible change is something any owner can record accurately, while an account of the operation is likely to be wrong in a way that matters.
Note deliveries arriving and material or waste leaving, since these mark the boundaries between stages more reliably than anything else you can see.
Arrivals and departures are easy to observe and give a good skeleton of how the work moved through the property.
Record when an area was boarded, sheeted or closed off, and when it was opened again, since these are the moments that determine what can still be seen.
Knowing when something was covered tells you which photographs must exist and which opportunity has already passed.
Describe what you observed without recording whether you consider the work to be on track or moving as it should.
Whether progress is as expected is for the contractor and appointed professionals to state; an owner impression recorded as fact causes avoidable friction.
4.Noting conditions, disruption and anything that stopped work
Interruptions are the entries that get looked up most often and remembered least accurately. They are also the easiest thing for an owner to observe.
Note weather where it visibly affected what was happening, such as work moving indoors or an area being sheeted, rather than recording conditions generally.
Weather matters to a record only where it changed something, and tying it to what you saw keeps the note useful.
Record when water, power, heating or drainage were off or interrupted, when they came back and who told you it was happening.
Interruptions to services affect the household directly and are the entries most often needed later.
Where any service is interrupted unexpectedly, contact the contractor immediately rather than investigating anything yourself.
Note occasions when access to the property or to the street was obstructed, and what you were told about the arrangement at the time.
Access questions frequently involve neighbours and the local authority, and the contemporaneous note is what allows a calm answer.
Record any contact from a neighbour about the work, in neutral terms and with the date, and note what you said and who you passed it on to.
Neighbour contact escalates when it appears to have been ignored, and a dated record of passing it on prevents that.
A neighbour comment about the work is not yours to answer on the spot; pass it to the contractor and your appointed professionals and note that you did.
Where work appears to have stopped, record what you observed and the reason you were given, attributing it to whoever gave it rather than stating it as fact.
Reasons given at the time and reasons given afterwards frequently differ, and only the dated note captures the first version.
Note anything you saw that you did not understand, without speculating about it, and add it to the questions to raise through your usual route.
Owners often notice something significant without knowing it; recorded plainly it can be asked about, while speculation gets dismissed.
5.Capturing remarks, requests and answers given in passing
A great deal of a project is settled in short conversations nobody writes up. The diary is where those survive.
Record every request made to you for a decision, a choice or information, with the date and who asked, whether or not you were able to answer at the time.
These entries are the ones you will want if there is ever a question about whether the owner held anything up.
Note the date you supplied whatever was asked for and to whom, so the request and the response sit as two dated entries rather than one vague memory.
The gap between a request and a response is often the whole of a later question, and neither end is recorded anywhere else.
Write down answers given to you verbally in the words used, and note that they were verbal, so nothing appears in the record as if it had been confirmed.
Marking an answer as verbal keeps it usable while making clear what it is, which is exactly the distinction that gets lost.
Record remarks suggesting something may change, such as a mention that an item is unavailable or that something will be done differently.
Changes are usually mentioned casually well before they are proposed formally, and the early mention is worth having a date for.
Keep conversations you overheard but were not part of out of the diary, and record only what was said to you directly.
Overheard fragments are unreliable and change the character of the diary from a record into surveillance.
Where a remark could matter, send a short note through your usual route repeating what you understood, and record in the diary that you did so.
The diary entry establishes when you heard something; the note establishes that you raised it, and both are needed.
6.Keeping entries honest when you were not there
Most owners are not present for most of the work. The diary stays credible only if it distinguishes what you saw from what you were told.
Mark any entry based on what somebody else told you, and name who told you, rather than writing it in the same voice as things you saw yourself.
A record that mixes the two is unreliable throughout, because a reader cannot tell which entries rest on what.
Where somebody else in the household describes what happened, record their account as theirs, ideally in their words, rather than absorbing it into your own.
Second-hand accounts absorbed into a first-person record are the most common way a diary becomes overstated.
Note whether you were at the property and when, so it is always clear whether an entry describes something observed or reported.
Without this the reader assumes you saw everything, which is rarely true and undermines the entries where you did.
Where an entry rests on an image sent to you, note who sent it and when it was said to have been taken rather than assuming it shows that date.
Forwarded images often show something from earlier, and an entry dated by the message rather than the picture goes quietly wrong.
Say plainly when you are unsure about something, since an entry that records doubt is more useful later than one that reads as confident and turns out wrong.
The credibility of the whole diary rests on the entries where you admitted you did not know.
Leave dates you were away without an entry rather than reconstructing them from what you assume must have happened while you were absent.
Reconstructed entries are indistinguishable from observed ones once written, and they contaminate the record.
7.Using the diary later without asking too much of it
A diary is a dated record of one person impressions. Used within those limits it is genuinely useful, and beyond them it does harm.
Read back across entries at intervals looking for repetitions, such as the same interruption recurring, and raise the pattern rather than each instance.
Patterns are visible only in a diary and are far more productive to raise than a series of individual complaints.
Take dates and observations to a meeting rather than the conclusions you have drawn from them, and ask what explains what you recorded.
Questions grounded in specific dated observations get answered; conclusions get contested.
Treat the diary as your own aide to memory rather than as evidence of anything, and say so when you refer to it in conversation.
Whether any record has weight in a dispute is a question for your own legal adviser; do not present a diary as establishing anything on its own.
Keep the diary after the work finishes, since questions about what was done where and when tend to arise once the property is back in use.
The diary is often the only dated account of a sequence that becomes relevant much later.
Pull out the entries that concern hidden work, services and materials into a short summary for anybody maintaining the property, rather than handing over the whole diary.
A diary is a personal document; the useful parts for somebody else are a small fraction of it.
Before raising anything on the strength of the diary, reread the entries concerned to check whether they are observations or things you were told.
Raise anything serious through your appointed professionals and, where it concerns your agreement, through your own legal adviser rather than acting on the diary alone.
Preparation
Documents and information to gather
Having these to hand usually makes the first conversation shorter and more useful.
- Any existing notes, messages or calendar entries you have already made about the work
- Drawings or room layouts you can take consistent room names from for entries
- Photographs already taken, with a note of where they are stored
- The agreed contact route for raising questions arising from your entries
- Notes of what other parties record and what they have said they can share
- Your list of decisions and information you have been asked to provide
Records
Decisions to record before work begins
Write these down in your own words, with the date, so everyone is working from the same version.
- The fixed set of prompts each entry answers and where the diary is kept
- Who else in the household may add entries and how their entries are attributed
- How an entry marks that it rests on what somebody else said rather than what you saw
- What is deliberately left out of the diary, including judgements about individuals
- How photographs are linked to the entry they belong with
- Which entries are extracted for anybody maintaining the property afterwards
Professional review
Questions to discuss with qualified professionals
Bring these to the relevant qualified professional, supplier or authority. Requirements vary by project and location.
- What records do you keep of the work, and which of them can be shared with me?
- Which room names should I use so my notes match your drawings and records?
- Who should I tell when I record something I do not understand?
- How will I be told in advance when water, power or heating will be interrupted?
- What was the reason work paused in this area on the dates I have noted?
- Is there anything you would like me to note while I am at the property?
- Which of the things I have recorded should be raised with somebody other than you?
- What should I do with a neighbour comment about the work when it reaches me first?
Blind spots
Commonly overlooked items
- Requests made to you for a decision, and the date you actually supplied it
- Entries reconstructed later and written as though they were made at the time
- Accounts from another household member absorbed into the writer own voice
- Interruptions to water, power or heating, noted at the time and forgotten immediately after
- The dates an area was covered or opened up, which govern what can still be seen
- Neighbour contact recorded nowhere until it becomes a more serious complaint
- Images forwarded to you and dated by the message rather than by when they were taken
What this checklist does not do
- A diary records one person impressions on a date; it cannot establish that work was done correctly, that anybody was at fault, or that progress was or was not reasonable.
- Keep judgements about individuals, overheard conversation and speculation about causes out of every entry.
- Anything urgent, particularly an unexpected interruption to services or anything that concerns you on safety grounds, goes to the contractor immediately rather than into an entry.
- Whether any record carries weight in a disagreement is a question for your own legal adviser, not something to assume while writing.
More preparation
Related checklists
Inspiration
Related Ideas Library pages
Design directions to explore once the preparation is done.
Go deeper
Related Build Design Hub guides
Explanatory planning guidance behind the decisions on this page.
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